Jennifer Senoir takes Bush’s critics to task.

Since the president’s re-election, loathers of George W. Bush have had no shortage of cudgels with which to club him: a distressingly belated response to Hurricane Katrina; an experiment in warrantless wiretapping; a modest parade of indictments; a nation-building project so distant from its original intent that our troops are now caught in a proto-civil war. One can certainly understand how these developments — and Bush’s correspondingly rotten approval ratings — have emboldened the opposition. The problem is that these developments have also made the president’s critics more susceptible to rhetorical excess, and Bush, like his predecessor, already has an impressive gift for bringing out the yawping worst in those who disagree with him. Otherwise reasonable people go slightly berserk on the subject of his motives; on the subject of his morality, the hinged fall off their door frames and even the stable become unglued. This is both an aesthetic problem and a substantive one. Substantively, it means gerrymandering evidence so that inconvenient facts don’t make it onto the map. And aesthetically, it means speaking in a compromising and not wholly credible tone.

I guess I’ll just shut my pie hole.